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Do I make you nervous?

I'm serious. You're a mother. How'd you end up running a nightclub? Well, maybe I have talent. You make good sandwiches. All right, so we have two bars. One here and one in the back. So nobody ever has to wait for drinks.

The dance floor is going to be Brazilian mahogany. It costs more, but it doesn't scratch. Yeah, and what's, uh. What's that back there? Oh, that's a stage. Get 'em thirsty and keep 'em entertained. Well, I should put you in charge of my lots in Florida. What do you think? What? Come on. Let's dance. No, I'm not dancing with you. Why not? Because, I. Well, I don't know. I don't know how to dance. Well, you don't know how to run a nightclub, either. What about your wife? She doesn't like to dance. I just don't know how. How I depend on you. You all right? Yeah. There you go.

To give me love when I need it. Right on time you would always be. I thought you didn't know how to dance. I. I don't. Whole new life. Excuse me for interrupting. Come on in, Tom. I just want to say I'm pleased.

That this property has come into your hands, And I know that, under your guidance, We can expect nothing but greatness. Wow. This is for you. Thanks, Tom. Nothing but greatness. Just, uh, one other thing. The thing we talked about. The kids on the corner.

I always knew I was a genius.

Right. I took care of that.

All due respect, they're back. No criticism intended. I just thought you should know.

None taken, Tom. You know me better. Thank you, Mr. Russo. They come down from Harlem right out on the playground. And you take care of it? Do I make you nervous? 'Cause you can walk away anytime. No hard feelings. No, I don't want to walk away. Good. 'Cause neither do I. Come on, come on. Here. Just make sure there's no water marks. You know? Don't hurt yourselves, hey, fellas.

Yeah, you wish.

Patty, sweetheart, where do you want the booze?

I mean, don't we all get enough trouble at home?

Oh, uh, you could just put it around the corner. Just keep your eyes on the audience. If you don't take the pause, you'll lose the effect. What if there is no audience? To see you? What, are you kidding me? It's going to be a lynch mob in here. Hey! I hope that's just an expression, 'cause otherwise, we're in really big trouble. I made the chair, mook. Come on. There's, um, some guy at the back door. Says he needs to talk to you. Oh. All right. I went by your house,

And your mother said you were here, so. Um. so you work here or. That's Frank for you, huh? Always taking risks.

Not like Palmeri, though. I think he's. he's a bit more old-fashioned. I wouldn't know. And now Frank owes him all this money, and. Well, the word is Frank's on pretty thin ice, And if this place doesn't fly. I don't know what to tell you. Is that why you came here?